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Why the mad artistic genius trope doesn’t stand up to scientific scrutiny

Why the mad artistic genius trope doesn’t stand up to scientific scrutiny

By Daisy FancourtZME Science

Bedroom in Arles (first version, 1888), showcasing Van Gogh’s distinctive brushwork. Vincent van Gogh sliced off his ear with a knife during a psychotic episode. Ballet dancer Vaslav Nijinsky developed schizophrenia and spent the last 30 years of his life in hospital. Virginia Woolf lived with bipolar disorder, eventually taking her own life as she felt another deep depression beginning. Many famous creative artists have lived with severe mental illness. Catherine Zeta-Jones, Mariah Carey, Demi Lovato, Jean-Claude Van Damme and Mel Gibson have all reported diagnoses of bipolar disorder. Yayoi Kusama, Sylvia Plath, Kurt Cobain and Syd Barrett spoke about experiences of psychosis. Speculation abounds about whether Amy Winehouse, Marilyn Monroe and Ernest Hemingway lived with borderline personality disorder. The concept of the “mad creative genius” harks back to antiquity. Artists in the Renaissance and Romantic periods would sometimes assume eccentric personalities to distinguish themselves as extraordinary individuals who had made Faustian bargains for their talents. Edvard Munch, the Norwegian painter, described his “sufferings” as “part of myself and my art ... their destruction would destroy my art.” Poet Edith Sitwell, who experienced depression, reportedly used to lie in an open coffin to inspire her poetry. In 1995, a study of 1,005 biographies written between 1960 and 1990 even proposed that people in the creative professions had a higher rate of severe psychopathology than the general population. So how does this square with the fact that artistic expression is beneficial for our mental health? As I explain in my new book Art Cure: The Science of How the Arts Transform Our Health, there is a wealth of scientific evidence on these benefits. However, the reality for professional artists can be a bit different. While they tend to report enhanced overall wellbeing, the life of an artist can be psychologically challenging. They have to endure everything from precarious careers to professional competition. Additionally, fame brings stress, challenging lifestyles, an increased risk of substance abuse, and an inevitable but unhealthy focus on oneself. In a 1997 study, scientists analysed the number of first-personal pronouns - I, me, my, mine and myself - in songs by Cobain and Cole Porter (who himself had bouts of severe depression). As their fame increased, both saw a statistically significant increase in their use of these pronouns. × Get smarter every day... Stay ahead with ZME Science and subscribe. Thank you! One more thing... Please check your inbox and confirm your subscription. Linking artistry and severe mental illness Kurt Cobain, legendary figure in rock and grunge music history, playing guitar during a live concert. Image credits: Flickr / Mahesh Sridhar. But what about artists who developed mental illness before becoming famous, or even before becoming artists? Genetics research has uncovered some shared genes that may underlie severe mental illness and creativity. A variation in the gene NRG1 is associated with both increased risk of psychosis and higher scores on questionnaires that measure people’s creative thinking. Variations in dopamine-receptor genes have been linked with both psychosis and various...

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