
When Kate Hudson Realized She âHadnât Put Everything Out on the Table,â It Changed Her Career Forever
By providing your information, you agree to our Terms of Use and our Privacy Policy . We use vendors that may also process your information to help provide our services. This site is protected by reCAPTCHA Enterprise and the Google Privacy Policy and Terms of Service apply. The oft-cited story of how Kate Hudson came to play Claire Sardina in âSong Sung Blueâ is a good one . As it goes , her eventual co-star Hugh Jackman saw Hudson performing and chatting on âCBS Sunday Morningâ in 2024 , where the actress and Oscar nominee was promoting her soon-to-be-released solo album, âGlorious.â Jackman, who was already on board to star as Mike Sardina in Craig Brewerâs fact-based film , was so taken by Hudsonâs energy (and singing!) that he immediately texted Brewer that he had found their Claire. The real story of how Hudson found her way to the role is a bit more complicated. Itâs not just about the film itself (a crowdpleaser with real drama, plus a ton of Neil Diamond songs ), but Hudsonâs own path through Hollywood, her long-burning desire to mount a singing career in tandem with her acting, and a years-ago decision to start pursuing the stuff she had long felt was unavailable to her. Speaking to IndieWire via Zoom during the busy days between the Critics Choice Awards and the Golden Globes, Hudson is just what youâd expect: warm, chatty, effusive, insightful, and smart. Sheâs easy to talk to, open to all sorts of questions, and reflective in a way that never feels harsh. And she is reflective. While the role of Claire (aka âThunderâ in the Sardinasâ Neil Diamond cover act, âThunder and Lightningâ) found its way to her, Hudson said she was âalwaysâ hopeful for acting parts that could include singing. The big barrier? Herself. âOne of my fears was like, âOh, Iâm going to make a record, and Iâm going to put some music out, and then itâs like, therefore , Iâm not acting anymore,'â she said. âBack in the âAlmost Famousâ days, you didnât cross [into another type of entertainment] because it was like, if you failed, it was a failure in everything. So donât break whatâs not broken. It made me timid to put anything out there like that. ... After COVID, I was like, Iâm really waiting for someone else to get permission to do a movie that is a big musical, and then I could come in from the back door and do my album, because then it would be a little bit easier to sort of cross.â The early days of the pandemic gave Hudson, like many people, lots of time to think about her life and what she wanted from it, what she hadnât done yet, and how she might change things around when the world opened back up. âEven bigger than just music, it was like I just had this whole existential crisis, which I think most of the world did, where youâre...
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