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Dyslexia and the Reading Wars

Dyslexia and the Reading Wars

By David OwenEverything

Sometimes the axon highways almost seem to pave themselves. My daughter, Laura, began to read all of a sudden, the summer before kindergarten. (“It’s hard to believe that ‘knock’ starts with ‘k,’ ” she said, while following along as I read her a bedtime story about Amanda Pig.) But even she didn’t become a reader entirely on her own. All children have to learn the relationships between letters and meaningful sounds. For some it’s harder than for others. “Maybe instead of four lanes you have two,” Gaab said, “or instead of a smooth surface you have a bumpy one.” Caroline had a large vocabulary, and she was read to as often as Laura was, both at home and at school, and there were just as many colorful plastic alphabet magnets stuck to the refrigerator in her kitchen. But she needed teachers who understood that literacy doesn’t happen naturally, especially for children with dyslexia. A decade ago, Emily Hanford, a senior correspondent at American Public Media, was researching a story about college-level remedial-reading classes. She became interested in dyslexia and then in literacy generally, and in 2022 she produced an immensely influential podcast series, “Sold a Story,” about reading instruction in American schools. The central argument is that teachers all over the country employ instructional methods and materials that were proved, long ago, to be not just ineffective but counterproductive. Such methods, Hanford demonstrated, are based on a fundamental misunderstanding of how children learn to read. They direct beginning readers to look for hints in illustrations and to make deductions based on context, word length, plot, and other cues, with only incidental reliance on the sounds represented by letters. The idea is that, as children become adept at deduction, the mechanical side will, in effect, take care of itself. Skilled reading has many elements. A popular metaphor is the “reading rope,” created by the psychologist Hollis Scarborough in 2001. It depicts eight “strands,” which readers weave together as they become proficient. The strands include not just an understanding of the sounds represented by letters and combinations of letters but also such elements of language comprehension as vocabulary, grammar, reasoning, and background knowledge. All the strands are necessary. In Hanford’s view, the ones related to word recognition, including phonological awareness and decoding, have often been neglected. That harms many students and is a disaster for children with dyslexia. Antipathy to phonetic decoding is sometimes traced to the nineteenth-century American educator Horace Mann, who described the letters of the alphabet as “skeleton-shaped, bloodless, ghostly apparitions” and argued in favor of teaching children to recognize words as discrete units. A later, more powerful influence was Marie Clay, a teacher and researcher in New Zealand, who studied schoolchildren learning to read and concluded, in the nineteen-sixties, that understanding the relationships between letters and sounds wasn’t essential. Hanford, in the second episode of “Sold a Story,” says, “Her basic idea was that good readers are good problem solvers. They’re like detectives, searching for clues.” The best...

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